Richard Batterham
Acclaimed as the foremost living maker of domestic stoneware in the world, Richard is very sadly not now able to throw more pots. However, throughout his long career, he has put aside pots in a private collection which he used for his own reference and as a record of his work. Some he chose because they marked a significant development that he wanted to replicate and others because they were ideal versions of a form. With the help of his son, the potter Reuben Batterham, Richard has decided to release a good number of these pots, some from his final firings and some dating back as far as the 1960s.
Richard Batterham: pots from the artist’s own private collection
Saturday 7 March until Sunday 26 April 2020 (or as long as stocks last)
Richard Battterham’s pots are available to view below. Thank you to everyone who came to the opening and has visited since. The response to this show has been phenomenal and at the end of the first week all 175 pots have sold or are reserved.
We do have a display of Richard Batterham’s pots from the exhibition in the gallery by kind permission of their new owners.
Richard Batterham at 80 has been reprinted!
Richard Batterham at 80 by Anna Powell, 36 page, 14.85 x 21 cm full colour paperback booklet. 2nd edition SOLD OUT
Written after long interviews and many conversations with Richard Batterham, and approved by him, it tells the story of his working life with advice he would want to pass on to young potters and photographs of his pots, his workshop and of Richard at work.
Born 1936, Richard Batterham became interested in pottery at a very young age at Bryanston School, where an interest in craft and design was greatly encouraged. He learnt under the guidance of Donald Potter, who was a student of Eric Gill and had also worked with Michael Cardew at Winchcombe. After National Service, Batterham worked for two years under Bernard Leach at the Leach Pottery in St Ives, Cornwall. There he and his future wife, Dinah Dunn, met Atsuya Hamada, a son of Shoji Hamada. ‘I think we got a lot from him,’ Batterham says, ‘about how to handle clay. We were very lucky.’
In 1959 they left to set up their own pottery at Durweston outside Blandford. In 1967 Batterham moved into a new pottery workshop in Durweston and built a four-chambered oil and wood-fired kiln. In 1978 with the help of the French potter Thiébaut Chagué, he also built a small salt glaze kiln.
Still in the same pottery, he has always worked alone doing all the processes himself from digging the clay to labelling the pots. His pots are often referred to as being in in the Leach tradition, although he feels more in tune with the attitudes of Michael Cardew. His pots are made to enrich life rather than to adorn it. A superb craftsman, his colours are soft celadon blues and greens through to caramel (Manganese), browns and blacks with the nature of his glazes varying from thin and bright to thicker softer glazes. His forms are functional – simple, satisfying and beautiful. Some pots, he says, ‘call out to me that they are really good ones’ and these are the pots we have always been delighted to show.
Describing his own pots, Richard Batterham refers to some of them as ’soft’ or ‘kind’, emphasising their human quality. ‘Michael Cardew used to say form was everything, and form is very important, but I tend to feel that it’s how the clay is handled that really makes a difference. I like to make something you can hold. If someone really hugs onto a pot, that’s lovely and just how it should be.’ Brushing away his own pre-eminence, he says, ‘You just get into the right frame of mind and get on with it.’
Richard Batterham’s work is in numerous museums, including the Tate and the V&A, as well as in private collections all over the world. Sladers Yard is proud to have held major annual selling exhibitions of his work since 2009.
The available pots from the new exhibition can be seen below. Please email us on gallery@sladersyard.co.uk if you would like to buy any of them. We will respond in the order you contact us and we will ask you to call us to pay for the piece. Please don’t phone until then as the lines will get blocked!
Richard Batterham Pots from the artist’s own private collection
Last four firings: RB939 – 1001
The last 60 years: RB1002 – 1110
RB939 Extra Large Fruit Bowl, chatters 12 x 56 cm SOLD 
RB939 Extra Large Fruit Bowl, chatters 12 x 56 cm SOLD 
RB944 Cut Bowl salt glaze 17 x 30 cm SOLD 
RB944 Cut Bowl salt glaze 17 x 30 cm SOLD 
RB946 9 inch Cut Bowl ‘chaste’ 12 x 21.5 cm SOLD 
RB946 9 inch Cut Bowl ‘chaste’ 12 x 21.5 cm SOLD 
RB952 Small beaten bottle salt, porcelain slip 37 x 20 cm SOLD 
RB952 Small beaten bottle salt, porcelain slip 37 x 20 cm SOLD 
RB956 Big Handled Pan 7 x 37.5 cm SOLD 
RB956 Big Handled Pan 7 x 37.5 cm SOLD 
RB985 Coffee Tazza 10 x 14 cm £121 Reserved 
RB985 Coffee Tazza 10 x 14 cm £121 above Reserved 
RB994 Small box manganese 6 x 10 cm SOLD 
RB994 Small box manganese 6 x 10 cm SOLD 
RB1008 Tazza pale salt 14.5 x 27.5 cm SOLD 
RB1008 Tazza pale salt 14.5 x 27.5 cm SOLD above 
RB1009 Cornflakes bowl 6 x 17 cm SOLD 
RB1009 Cornflakes bowl 6 x 17 cm £110 SOLD 
RB1011 Cornflakes bowl 8.5 x 17 cm SOLD 
RB1011 Cornflakes bowl 8.5 x 17 cm SOLD 
RB1018 Cornflakes bowl 8 x 17.5 cm £110 Reserved 
RB1018 Cornflakes bowl 8 x 17.5 cm £110 above Reserved 
RB1031 Beaten Jar 21 x 20 cm SOLD 
RB1031 Beaten Jar 21 x 20 cm SOLD 
RB1032 Big Jug H15.5 inches 38 x 21 cm SOLD 
RB1032 Big Jug H15.5 inches 38 x 21 cm SOLD 
RB1042 Large Salad Bowl on foot, ash 15 x 32 cm SOLD 
RB1042 Large Salad Bowl on foot, ash 15 x 32 cm SOLD 
RB1050 Large Shallow Dish D12 inches 7 x 30 cm £121 Reserved 
RB1050 Large Shallow Dish D12 inches 7 x 30 cm £121 above Reserved 
RB1051 Cornflakes Bowl 8 x 18 cm SOLD 
RB1051 Cornflakes Bowl 8 x 18 cm bloat inside, lot of character SOLD 
RB1067 Beaten Jar salt 24 x 20 cm £375 Reserved 
RB1067 Beaten Jar salt wood-fired for 60th birthday exhibition, Oxford 1996 £375 Reserved 
RB1079 Large Rimmed Tazza salt 15 x 34 cm £840 Reserved 
RB1079 Large Rimmed Tazza salt 15 x 34 cm £840 above Reserved 
RB1080 Vegetable Tazza 12 x 22.5 cm SOLD 
RB1080 Vegetable Tazza 12 x 22.5 cm SOLD 
RB1081 Vegetable Tazza, salt 11 x 22cm SOLD 
RB1081 Vegetable Tazza, salt 11 x 22cm SOLD 
RB1084 Fluted Tazza smaller salt 9.5 x 15 cm SOLD 
RB1084 Fluted Tazza smaller salt with teardrop 9.5 x 15 cm SOLD 
RB1086 Tazza smaller, ash glaze 10 x 15.5 cm £121 Reserved 
RB1086 Tazza smaller, ash glaze 10 x 15.5 cm £121 above Reserved 
RB1088 Small Teapot cut salt glaze with teardrop 14 x 21.5 cm £145 Reserved 
RB1088 Small Teapot cut from shelf in Richard’s throwing room 14 x 21.5 cm £145 Reserved 
RB1090 Medium Teapot cut, white salt glaze 14 x 21.5 cm SOLD 
RB1090 Medium Teapot cut, white salt glaze 14 x 21.5 cm SOLD
A walk around the exhibition just before it opened:
Correction to my name……………..!
If we were to meet, Richard would probably have difficulty in remembering me, notwithstanding that years ago I visited him several times at Durweston and acquired the first of his pots more than fifty years ago. He set a standard as a young man and has never deviated from it; it might at first sight be said that his range is limited but when viewed over a period of fifty years there has been a wide variation within that seemingly “limited” range which has always kept his work fresh, always with something new to see. Alongside the humble supper plates and mixing bowls magnificent work has been done. Over the years I have accumulated a group of Richard’s work which convinces me of his great stature as an artist of the first rank and I take pleasure in every one of his pots and a certain pride in having acquired them. I have accumulated much other work as well by “masters” which might be described as Modern British: somehow out of the tens of thousands of practising artists and craftspeople producing vast quantities of work since my date of birth I seem to have selected work by some of the very best makers and artists of the last eighty years. Richard’s work measures-up to the highest standards of British fine art of the twentieth century; he has seen his way through life (to use an expression applied to Hamada) in no different a way than other British masters who have attained true eminence. But he is one of a very few and deserves to be recognised not as a great craftsman (which he is), but as a great British artist as well, of which there are only a handful in any generation.
Thank you so much for your thoughtful comments. It is those who live with Richard’s work who truly appreciate it. Perhaps because it is so strong in a quiet authentic way. I wish I could see your collection of art and craft which sounds fabulous.
Thanks for hosting the exhibition(s): so glad I made the last. There are few domestic ware potters of Richard’s stature, if any but it would be great if you continued to exhibit ceramics in your excellent space. Yummy cakes too.
Stephen. Co. Galway.
Thank you Stephen. We certainly shall continue to exhibit ceramics and are delighted to have a solo show of Mike Dodd’s work opening on 2nd May. Meanwhile we have some stunning pots by Paul Wearing, Akiko Hirai, Franny Owen and Sue Ure in stock now and available to buy.
Richard’s pots are wonderful. Sorry you are stopping making them. Your generation of potters
is the best!! Enjoy your retirement.
Thank you Bernadette.
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Love your pots Richard – keep ’em coming… My new bowl is the centre of attention in our living room. I look forward to drinking my soup from one of your bowls in the near future..!! Well worth travelling half the length of the country to collect.!! Many thanks…
Thank so much for the great effort you made to come to the opening. Much appreciated!
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Only one word to describe Richard Batterhams pots…..Sublime.
Richard is one of a rare breed.. most wonderful pots. Enjoy.
Thanks Peter,
There is nothing like praise from a fellow potter!
I have used Richard’s pots as my everyday ware for over 50 years. I have never got tired of them and cannot see that I ever shall. There are other good potters, more decorative perhaps, more ‘unconventional’ perhaps, more ‘modern’ perhaps – whatever that means, but the appeal of those I have owned has often faded over the years. An exception are those thrown by Mike Dodd, also taught by Don Potter when at school.
Quiet brilliance is often the best.
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I bought my first pot from Richard’s pottery when I was a student in 1976. This cut sided bowl and other pots I’m fortunate to own and use have enriched my life and inspired my own work. What I admire most is that they are timeless and seem to have always existed.
Thank you for your comment. Richard’s pots are timeless and very human. I hope you can come and see the show.
Could you let me know where it’s possible to buy Richard’s pottery? Many thanks
please pass on to Mr. Batterham that we have many of his pots, use them every day and love them. Thank you so much!!
Certainly I’ll pass that on to him. How lucky you are to have so many of his pots!
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